Posts Tagged ‘michael keaton’

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Spider-Man: Homecoming (2017)

July 10, 2017

Starring: Tom Holland, Michael Keaton, Zendaya
Director: Jon Watts

Bottom Line: I loved it. Tonally, this is the Spider-Man movie we’ve been waiting for: a high school kid that looks and acts like a high school kid and is clearly in the rookie year of his superhero adventures, despite briefly dipping his head in the majors in Captain America: Civil War. While Spider-Man might have a high tech suit capable of amazing things thanks to Tony Stark, he’s still just a kid looking to help out around his borough and hoping not to be a loser at school, while waiting around hoping The Avengers come calling or he stumbles across something big.

Tom Holland crushes the role. We got a glimpse that he might be the right actor for the job in Civil War but now there’s no doubt about it. Holland is charismatic and hilarious and does some great physical comedy in the film. I think it’s safe to say that we will be seeing him as Spider-Man for at least the next decade and that’s a very good thing. He is perfect for the job and it will be fun to watch him grow up with the character.

The script in this movie was fantastic. I’ve heard people call it the funniest Marvel movie yet and maybe it is – it was basically nonstop laughs for two hours and all the jokes landed successfully. Michael Keaton plays Spidey nemesis Adrian Toomes, a.k.a. The Vulture, and, as expected, does a great job, bringing an everyday person element to the character that is usually missing from comic book villains. Toomes is a regular guy whose company strikes a huge deal to cleanup the aftermath of the first Avengers movie only to have a Tony Stark subdivision come in and take things over with little apology, despite Toomes pouring all his financial resources into the project. It’s a smart way to weave The Vulture into the MCU and screenwriters make some other genius decisions with this character as well.

Spider-Man: Homecoming is exactly what you want from a Spider-Man movie: great action, lots of laughs, a charismatic and funny hero, and a formidable villain with some emotional resonance. The film works incredibly well considering it doesn’t introduce Spidey staples like Gwen Stacy, Mary Jane Watson, or Harry Osborn. Most movies, even when they are good, you still want to end at some point, but I could’ve watched Tom Holland play Spider-Man for several more hours and I’m really looking forward to more sequels and Avengers appearances in the future.

Replay Value: I’d watch it again now and it will be a must own in my movie collection.
Sequel Potential: Avengers: Infinity War is due out next year and a Spidey sequel is announced for 2019.
Oscar Potential: Great performances from Holland and Keaton, but not really Oscar fare here. Of all the 2017 films I’ve seen so far, I’d give this one the edge in Visual Effects.

Grade: 7.5/10 (highly enjoyable/must see)

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Birdman (2014)

May 3, 2015

Starring: Michael Keaton, Edward Norton, Emma Stone, Amy Ryan
Director: Alejandro Gonzalez Innaritu (21 Grams, Amores Perros, Babel)

Bottom Line: Birdman is a brilliant piece of filmmaking from director Alejandro Gonzalez Innaritu and his cinematographer Emmanuel Lubezki. It’s shot and edited in a way that makes it seem like the first two hours of the film were done entirely in one take. While the reality is a bit different, this format still required several long takes and tedious acting and timing from the film’s performers. What results is a seamless journey through a New York theater and the mind of a former Hollywood action star named Riggan – played wonderfully by Michael Keaton – as he tries to reinvent and endear himself to the masses by writing, directing, and starring in a Broadway show.

While Birdman isn’t my favorite film of 2014, it’s easy to see why the Academy and critics seemed to agree that it was the best one. From a technical standpoint, they are probably right. It’s also a great character study, as Keaton’s Riggan is quite mystifying – it can be difficult to tell reality from fantasy. What is clear is his desire to break free of the character that made him famous years before, as Riggan is in constant battle with Birdman’s voice in his head. Riggan is certainly more focused on his relationship with his “celebrity” than he is with those in his own personal life. He barely notices his daughter (Stone) even though she works with him in the theater and his love affair with one of his co-stars hardly seems to register with him. This is a man that is highly self-involved. He’s too entrenched with his own demons to notice anyone else’s.

Birdman gives us great performances across the board. It’s the best performance I’ve ever seen from Keaton – by a large margin. It’s hard to imagine that Riggan could have been played by anyone else. Edward Norton gives the film’s best performance, however, as Mike Shiner, an established Broadway star that is hired at the last minute to replace one of the show’s actors after an unfortunate “accident.” Shiner is a difficult person and wastes little time in making an enemy of Riggan – suggesting changes in dialogue during his first read through and insisting on drinking real alcohol during rehearsals. Norton plays the role gleefully and provides numerous laughs in the film. The rest of the ensemble cast is sharp and everyone does well with the difficult shooting format.

I thought Birdman was a great film. It’s one that is tough to digest after one viewing and requires a bit deeper thinking, so it’s possible I could one day view it as a masterpiece. The one take style is unique and adds to the film’s wonder instead of coming across gimmicky. Keaton and Norton give stunning performances. I don’t think Birdman is for everyone – it’s a bit grimy and plenty difficult – but for serious filmgoers, it’s a clear must see.

Replay Value: Multiple viewings required.
Sequel Potential: None.
Oscar Potential: Crushed the Oscars, winning statues for Best Picture, Best Director, Best Original Screenplay, and Best Cinematography, while being nominated in five other categories, including acting noms for Keaton, Norton, and Stone. Interestingly, Birdman did not receive a nomination in film editing, which kind of boggles my mind.

Grade: 7.5/10 (Must See/Excellent)